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Vintage German Guitars. This is meant as only a very basic and historical overview; the field of German guitar history and collecting is very challenging due to limited sources of information, language barriers and Berlin vintage guitars berlin germany relative rarity of most German guitars in America.

I would suppose that the limited success of German guitars in the American market is due to two simple factors: American guitars and basses for any range of players Vietnam naked esxy man beginners to professionals were already available.

Other U. AFN broadcasted American jazz and pop music and was extremely influential, since radio in most European countries was state-run with limited and strictly controlled broadcast content.

French national radio, for example, had and still has a quota requirement of a majority of broadcasted content being in the French language. Despite considerable public interest in American music throughout Europe, it was rarely played on the radio. Beatles historians will be familiar with the wild shows and incidents during their Hamburg period ofand they were just one of many Berlin vintage guitars berlin germany bands playing the German club circuit at the time.

Elvis Presley notably picked up Berlin vintage guitars berlin germany black Isana archtop while stationed with the Army in Bad Nauheim, and certainly many other U. This would Kira advani porn pics true in Britain until the mid-sixties due to economic factors and import restrictions and tariffs.

Various Berlin vintage guitars berlin germany European countries also manufactured guitars but aside from Italy few of them had anything close to the industry or established history of the German luthiers. These manufacturers varied considerably in their production numbers, model standardization, distribution and other factors. Hofner and Framus stand out as probably the largest scale of builders, with relatively high production numbers and multinational distribution.

Klira, Hopf, Hoyer, Isana, Roger, Dynacord and other builders had varying levels of production and distribution and the international market became much tougher when American instruments were more readily available in the U.

Pickups, tuners, bridges and other components would likely be made in machine shops supplying several manufacturers and the guitar builder would be primarily concerned with the woodwork aspect. Two hardware peculiarities are notable in German guitars, West and East: The use of separate bridges and tailpieces often trapeze type tailpieces and floating bridges Berlin vintage guitars berlin germany solidbody instruments. In any case, it seems odd and quaint now.

If a builder needed something, they simply walked down the road and found what they wanted. Some brands focused on making higher quality versions of American guitars Framus, some stayed with their traditionally popular models and reduced overseas export Hofner, and others simply got out of the electric guitar market Hopf.

I have also seen a catalog of the Vitali Import Co. I have not seen any indications that Hopf, Hoyer, Dynacord, Isana or other German guitars were ever imported in to the U. Unfortunately for them, the broadcasts of Radio Free Europe and AFN were audible in most of the GDR, and the state did not shut down production of musical instrument factories. In the general assessment of collectors and players, instruments from the Eastern Bloc can be Berlin vintage guitars berlin germany in quality by country of manufacture.

While many of these are now interesting for historical value or very odd design features, it is generally agreed that the East German and Czech guitars were the best available behind the Iron Curtain and the others usually lagging far behind in all criteria. It is also worth noting that many of the East German manufacturers as well as the Jolana Musical Instrument Company, in Czechoslovakia and regional centers of guitar building had a long history of musical instrument manufacturing going back several centuries and rooted in the violin family of instruments.

The general assessment of players and collectors is that the quality is not as high as western instruments in terms of lutherie and the woods used are not standardized; probably a lot of this can be ascribed to lack of quality control without the motivation of a free market of competition and irregular supplies of necessary hardwoods. In looking at Eastern Bloc guitars one can observe that whatever woods were available were used as best as possible and as long as models looked right the woods used on bodies and necks were not always the same on the same models.

This in itself is not as bad as it sounds; it has been revealed Berlin vintage guitars berlin germany Fender did the same quite frequently dependent on supply. One particularly interesting observation of Eastern guitars is that if rosewood or ebony was not available then beech fingerboards were simply stained or painted to simulate the look!

East German manufacturers are even harder to research than Berlin vintage guitars berlin germany German. Manufacturing records or histories are either not accessible or are only available on German language websites and frequently the guitars seem much the same except for different badging. Without a capitalist economy the marketing factor was also missing or substantially reduced, of course. Well, this has become much easier; Ebay, Ebay. The guitar business of the 21st century is a lot smaller than it used to be, thanks to technology.

Following the brand name is the estimated founding of the company, Gallery party slut uk available.

This is by no means a comprehensive list, just the main brands that I am aware of. The great Gene Vincent rocks a Framus bass guitar. Berlin,


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